Archive for September, 2016
Claire Fitzpatrick is a writer, an editor, all-round awesome human being. Recently, she launched Oscillate Wildly Press .
We caught up on good ol’ Facebook recently whereupon I asked Claire some questions and invited her to respond to a statement. This is what happened …
Pete: What led you to creating your own publishing press and what are its goals?
Claire: In early 2015 my novel was accepted by a small North American publishing company. Naturally, I was elated. Over time, I worked with two editors, and the novel went through various stages of evolution. However, a few months ago, I found out the publishing company had closed, without any warning, or correspondence to me.
Pete: Ugh! I am truly sorry to hear that!
Claire: I was furious. I didn’t want to let all that hard work go to waste. Time passed, and I started looking for potential publishers for ‘The Body Horror Book,’ another project I am working on, and when I couldn’t find one I thought best matched the project, I realised I could just publish it myself. At this time, I started thinking about my novel again, and instead of giving up, I decided to create my own company, and proceed with publishing my book as well as ‘The Body Horror Book.’ Of course, I could have simply self-published it, but I realised there was potential for a new small publisher in Australia, and that I would have the support from the Australian Horror Writer’s Association.
I am a massive fan of The Smiths (I have a framed poster of Morrissey and Marr in my lounge room with Johnny Marr’s guitar pick he personally handed to me!) and I wanted to incorporate something from my obsession into the publishing press. I chose ‘Oscillate Wildly,’ as it is a pun from Morrissey’s enigmatic hero, and also the song was recorded without lyrics as Morrissey believed the song could stand on its own. This idea of a song standing on its own motivated me, and gave me the courage that I didn’t need my former publisher to release a successful book. I hunted around for a few editors-people I 100% trusted-and with that Oscillate Wildly Press was born!
Its goals are simple! I’m planning to focus on anthologies, and release perhaps one or two novels a year. Nothing big, nothing overwhelming. I don’t want to put too much pressure on myself or my little team. 50% of royalties will go to authors who choose to publish with us, as a book is part of someone’s soul they choose to share, so they should reap the benefits. I’d love to focus on horror and science fiction, but we’re open to anything and everything! (My own novel is a combination of historical fiction and horror).
Pete: That sounds likes a fascinating blend, Claire. So, what excites you most about Australian speculative fiction?
Claire: There is such a massive market for Australian speculative fiction! I’ve been writing non-fiction for Aurealis since late 2015, and I love reading ‘The Year Ahead in Australian Speculative Fiction.’ It reminds me of the amazing talent in Australia, and keeps me in check with what people want to read!
There are many amazing writers in Australia, and I love that speculative fiction means more than just science fiction, fantasy, and horror – it’s everything in-between that writer’s might have felt wouldn’t fit anywhere, and it gives people hope their ideas and stories are wanted. One of my short stories ‘Yellow Death’ was deemed speculative fiction by the editor of Heater magazine, and I felt like I had tapped into something I had been working so hard to get to. Made me feel all warm and gooey on the inside.
I think the Australian Shadows Awards is also fantastic for speculative fiction. Yes, I’m biased, as I’m this year’s Award Director, but it really is an excellent chance to showcase all the amazing, talented stories produced by Australian writers. NZ might have Lee Murray, but Australia has Kaaron Warren! So there!
Pete: What are your own writing goals for the next year or so?
Claire: I need to release my debut novel, ‘Only The Dead.’ I can’t move on from it to something else until I release it. I write short stories in between, but I can’t seem to work on another novel! I’ve written two novels in the past that are god-damned awful, and I’d like to revisit them one day. But maybe I’ll burn them. It’s infuriating haha. But ‘Only The Dead’ will be out very soon. At the moment, I’m working with artist Shane K. Ryan on the cover, so when that’s done I’ll be able to start on the promotional side of things! (Shane also illustrated my eBook ‘Of Man And Woman.’ Check out his work, it’s amazing).
I’ll also be releasing ‘The Body Horror Book’ early next year sometime. Marc McBride-illustrator of Emily Rodda’s ‘Deltora Quest’- has come on board to illustrate a few chapters, however he can’t get stuck into the project until January. But that’s not really a setback, since I want everything to be perfect before it’s published. I’m hoping to enter it in next year’s Shadows Awards for Best Non-Fiction. Fingers crossed it’s worthy!
I also have two short stories in ‘Remixing The Classics,’ an anthology printed by the University of Queensland Writer’s Club. That’ll be out soon, which is exciting. My stories are horror versions of Peter Pan and Hansel and Gretel.
As for other things, who knows? I’m working on a story specifically for an anthology at the moment, so I have to get crackilackin’ and get it done! Life gets in the way. I wish it would move off the sidewalk and let me through!
Pete: Beef, chicken or vegan?
Claire: Vegan. Save a cow, eat a human.
Pete: You get dumped on a desert island and you can only take that one book, that awesome book, the one you could read over and over for years to come. What is it?
‘Black Foxes’ by Sonya Hartnett. It’s been my favourite book since I was a teenager. Sometimes I think all my characters have a bit of Tyrone Sully in them. I would cut off one of my fingers if it meant I could interview Sonya Hartnett. Joking! But maybe not.
Pete: Please respond to this statement: horror is not real literature
Your mum’s not real literature!
Seriously, though, horror is amazing. Horror can be philosophical, artistic, political….it can incorporate so many different elements. The world is a scary place, and horror often reminds us there is light within the dark, if only one knows how to turn on the light (and it’s one of those quirky Goosebumps book lights from the ‘90s!).
These interviews are purposefully short but occasionally I conduct one with someone I could talk with all day. Claire has interesting ideas, projects and experiences! If you want to connect with her, look her up on FB or at www.clairefitzpatrick.net.
And Claire, I speak for all of us when I say, “Get that novel published, dammit! I wanna read it!” 😉
- Interview with Peter Cooper
- Author Interview: Kevin Ikenberry, author of Sleeper Protocol
- Keith C Blackmore: 5 Questions & a Statement
- Devin Madson: 5 Questions & a Statement
- Sharon M Johnston: 5 Questions & a Statement
- Michael Pryor: 5 Questions & a Statement
- James Jackson: 5 Questions & 1 Statement
I have heard people say at Cons, “The only people reading short stories are writers” or comments like this. I’m not sure that’s true at all. But I would certainly accept that novels/novellas outsell short stories. Readers prefer long fiction to short. This is the way of things.
So I present a defence for the short story and why we all should spend more of our money on magazines and anthologies that publish them…
Short Stories are a Quicker Read
Can I put it any simpler? I can fit one or two short pieces into my morning train ride whereas I’m only ever going to get a few chapters of my novel read. That means reading something (or somethings) from end to end between stops, covering off an entire story arc, having closure, taking the story with me through the day to ponder. In a short piece, I get a world + a character + plus a challenge the same as I would a novel, but it’s resolved quickly and I’m on with my day.
Short Story Collections Expose the Reader to Multiple Authors
Nothing beats burying myself in my favourite author’s latest 400-page novel, savouring a long journey through a new world toward the resolution of conflicts and quests. But an equal-length anthology enables me to meet 10 or 20 different authors with a variety of styles and creations and themes and characters in the same amount of pages and time and $$. There are some incredible writers out there who are only writing short fiction. I mean this. If I didn’t read shorts, I’d have been deprived of ever discovering them.
Short Stories Maintain Tension and Pace better than Novels (mostly)
It’s tough to maintain high tension and high pace on every page of a 450 page paperback. But ten or twenty pages of short fiction can do just that.
Short Stories = Exposure for Authors
Many many authors get their start in short fiction before selling their first novel. Story sales and readers for them create a meaty portfolio, enable them to develop their art and platform, bring them into community with other great writers and editors. Whenever you or I purchase a short story magazine or anthology, we support this “farming” of talent.
Where I’d start reading if I was starting on short fiction now…